All the concerts

Even if more than 600 years separates the life of John-Sebastien Bach (1685 -1750) and Omar Khayyam (1048 -1131), these two genius were made to meet each other.

Even if more than 600 years separates the life of John-Sebastien Bach (1685 -1750) and Omar Khayyam (1048 -1131), these two genius were made to meet each other.

Even if more than 600 years separates the life of John-Sebastien Bach (1685 -1750) and Omar Khayyam (1048 -1131), these two genius were made to meet each other.

Even if more than 600 years separates the life of John-Sebastien Bach (1685 -1750) and Omar Khayyam (1048 -1131), these two genius were made to meet each other.

The Golden Road take us on a journey along the sublime and sophisticated musical roads of the ancient civilizations of Afghanistan, India and Iran.

The Golden Road take us on a journey along the sublime and sophisticated musical roads of the ancient civilizations of Afghanistan, India and Iran.

The Golden Road take us on a journey along the sublime and sophisticated musical roads of the ancient civilizations of Afghanistan, India and Iran.

With the great master of the Spanish Renaissance, a truly golden age of polyphony came to light. They knew how to incorporate in a mainly French and Flemish context the tracks left by the Moores and Muslim cultures, so present in medieval Spain.

With Fahmi Alqhai, one of the greatest virtuoso of viola da gamba, and his Accademia del Piacere, an important ensemble of the Spanish early music, Constantinople started a musical journey between Iberian cultures and those from Perse and Central Asia, rediscovering music with sumptuous colours and a rare aesthetical richness.

With the great master of the Spanish Renaissance, a truly golden age of polyphony came to light. They knew how to incorporate in a mainly French and Flemish context the tracks left by the Moores and Muslim cultures, so present in medieval Spain.

With Fahmi Alqhai, one of the greatest virtuoso of viola da gamba, and his Accademia del Piacere, an important ensemble of the Spanish early music, Constantinople started a musical journey between Iberian cultures and those from Perse and Central Asia, rediscovering music with sumptuous colours and a rare aesthetical richness.

With the great master of the Spanish Renaissance, a truly golden age of polyphony came to light. They knew how to incorporate in a mainly French and Flemish context the tracks left by the Moores and Muslim cultures, so present in medieval Spain.

With Fahmi Alqhai, one of the greatest virtuoso of viola da gamba, and his Accademia del Piacere, an important ensemble of the Spanish early music, Constantinople started a musical journey between Iberian cultures and those from Perse and Central Asia, rediscovering music with sumptuous colours and a rare aesthetical richness.

A meeting between strings and voices, from the Mandinka Kingdom to the Persian cultural heritage.

A meeting between strings and voices, from the Mandinka Kingdom to the Persian cultural heritage.

With the great master of the Spanish Renaissance, a truly golden age of polyphony came to light. They knew how to incorporate in a mainly French and Flemish context the tracks left by the Moores and Muslim cultures, so present in medieval Spain.

With Fahmi Alqhai, one of the greatest virtuoso of viola da gamba, and his Accademia del Piacere, an important ensemble of the Spanish early music, Constantinople started a musical journey between Iberian cultures and those from Perse and Central Asia, rediscovering music with sumptuous colours and a rare aesthetical richness.

With the great master of the Spanish Renaissance, a truly golden age of polyphony came to light. They knew how to incorporate in a mainly French and Flemish context the tracks left by the Moores and Muslim cultures, so present in medieval Spain.

With Fahmi Alqhai, one of the greatest virtuoso of viola da gamba, and his Accademia del Piacere, an important ensemble of the Spanish early music, Constantinople started a musical journey between Iberian cultures and those from Perse and Central Asia, rediscovering music with sumptuous colours and a rare aesthetical richness.

With the great master of the Spanish Renaissance, a truly golden age of polyphony came to light. They knew how to incorporate in a mainly French and Flemish context the tracks left by the Moores and Muslim cultures, so present in medieval Spain.

With Fahmi Alqhai, one of the greatest virtuoso of viola da gamba, and his Accademia del Piacere, an important ensemble of the Spanish early music, Constantinople started a musical journey between Iberian cultures and those from Perse and Central Asia, rediscovering music with sumptuous colours and a rare aesthetical richness.

With the great master of the Spanish Renaissance, a truly golden age of polyphony came to light. They knew how to incorporate in a mainly French and Flemish context the tracks left by the Moores and Muslim cultures, so present in medieval Spain.

With Fahmi Alqhai, one of the greatest virtuoso of viola da gamba, and his Accademia del Piacere, an important ensemble of the Spanish early music, Constantinople started a musical journey between Iberian cultures and those from Perse and Central Asia, rediscovering music with sumptuous colours and a rare aesthetical richness.

We invite you to a musical evening filled with light and colour, in the company of Constantinople’s musicians and Federico Tarazona, one of the greatest virtuosos of the most symbolic and representative instrument of Andean music, the charango.

We invite you to a musical evening filled with light and colour, in the company of Constantinople’s musicians and Federico Tarazona, one of the greatest virtuosos of the most symbolic and representative instrument of Andean music, the charango.

Djalaleddine Rumi (1207-1273), with his body of work encompassing over 100,000 lines of verse, left us an immutable treasure that reflects a refined and luminous understanding of the world.

Marco Beasley, a specialist in Renaissance music, joins forces with Constantinople to celebrate, in music, a bridge that Leonardo da Vinci designed in 1502. The longest and boldest bridge of the time, it was to span the Bosporus and thus link Europe and Asia. But it was never built; the plans, however, were preserved in the artist’s archives. Five centuries later, Tabassian re-imagines this bridge with the help of 16th- and 17th-century works from the manuscript archives of the national libraries of Istanbul and Florence.

From dawn to dusk, music reigns among the stars of Persian civilization. The traditional music of Iran, unique to the Orient, is the fruit of a mystical heritage with a fascinating capacity for constant regeneration. Kayhan Kalhor, an uncontested master of this tradition, joins Kiya Tabassian and Behnam Samani on a journey through an immense musical universe.

From dawn to dusk, music reigns among the stars of Persian civilization. The traditional music of Iran, unique to the Orient, is the fruit of a mystical heritage with a fascinating capacity for constant regeneration. Kayhan Kalhor, an uncontested master of this tradition, joins Kiya Tabassian and Behnam Samani on a journey through an immense musical universe.

From dawn to dusk, music reigns among the stars of Persian civilization. The traditional music of Iran, unique to the Orient, is the fruit of a mystical heritage with a fascinating capacity for constant regeneration. Kayhan Kalhor, an uncontested master of this tradition, joins Kiya Tabassian and Behnam Samani on a journey through an immense musical universe.

This concert is a cry of hope and freedom inspired by one of the world’s most fascinating civilizations, Iran. 

This concert is a cry of hope and freedom inspired by one of the world’s most fascinating civilizations, Iran.