All the concerts

Between sea and mountains, between modes and polyphony — Clair-obscur is born of the desire for deeper dialogue on the part both of the musicians of Constantinople and the singers of A Filetta, the preeminent ensemble of Corsican polyphony. They have created a poetic and musical suite, mixing polyphonies created by the well-versed singers of A Filetta with songs and tunes composed and arranged by Kiya Tabassian. A profoundly touching concert.

This collaboration sprung out of a profound interest to explore the sounds and musical gestures of Nordic music. Virtuoso and champion of the Hardanger fiddle, Benedicte Maurseth joins Constantinople to create music strongly influenced by nature and the spectacular landscapes of the North as well as by the evolving relationship of human beings with the natural world. Together, through a “North-South” dialogue, they paint a picture-in-sound that engages the imagination and transports the listener into exquisite and profound worlds of well-being.

This collaboration sprung out of a profound interest to explore the sounds and musical gestures of Nordic music. Virtuoso and champion of the Hardanger fiddle, Benedicte Maurseth joins Constantinople to create music strongly influenced by nature and the spectacular landscapes of the North as well as by the evolving relationship of human beings with the natural world. Together, through a “North-South” dialogue, they paint a picture-in-sound that engages the imagination and transports the listener into exquisite and profound worlds of well-being.

This collaboration sprung out of a profound interest to explore the sounds and musical gestures of Nordic music. Virtuoso and champion of the Hardanger fiddle, Benedicte Maurseth joins Constantinople to create music strongly influenced by nature and the spectacular landscapes of the North as well as by the evolving relationship of human beings with the natural world. Together, through a “North-South” dialogue, they paint a picture-in-sound that engages the imagination and transports the listener into exquisite and profound worlds of well-being.

Add to the richness of your WOMADelaide experience by taking part in one of our artist-led workshops. Suitable for kids and adults, this is a chance to dig a little deeper into the creative inspirations, techniques and culture of our visiting artists and learn some new skills along the way!

Explore the world through your taste buds by sampling global cuisine at Taste the World, hosted by local food legend Rosa Matto and David Sly. A wonderful way to get to know Kiya Tabassian in a relaxed setting, as he shares his stories while cooking favourite dishes from home.

Explore the world through your taste buds by sampling global cuisine at Taste the World. A wonderful way to get to know Kiya Tabassian in a relaxed setting, as he shares his stories while cooking favourite dishes from home.

Marco Beasley, a specialist in Renaissance music, joins forces with Constantinople to celebrate, in music, a bridge that Leonardo da Vinci designed in 1502. The longest and boldest bridge of the time, it was to span the Bosporus and thus link Europe and Asia. But it was never built; the plans, however, were preserved in the artist’s archives. Five centuries later, Tabassian re-imagines this bridge with the help of 16th- and 17th-century works from the manuscript archives of the national libraries of Istanbul and Florence.

The musicians of Constantinople, together with Ablaye Cissoko, a griot from Saint-Louis in Senegal, have been wowing audiences around the world since 2012. Traversées is the fruit of dialogue and exemplary collaboration between two artists. The concert features original compositions by both Cissoko and Tabassian, and revisits pieces from the old Mandinkan and Persian traditions. 

Marco Beasley, a specialist in Renaissance music, joins forces with Constantinople to celebrate, in music, a bridge that Leonardo da Vinci designed in 1502. The longest and boldest bridge of the time, it was to span the Bosporus and thus link Europe and Asia. But it was never built; the plans, however, were preserved in the artist’s archives. Five centuries later, Tabassian re-imagines this bridge with the help of 16th- and 17th-century works from the manuscript archives of the national libraries of Istanbul and Florence.

Marco Beasley, a specialist in Renaissance music, joins forces with Constantinople to celebrate, in music, a bridge that Leonardo da Vinci designed in 1502. The longest and boldest bridge of the time, it was to span the Bosporus and thus link Europe and Asia. But it was never built; the plans, however, were preserved in the artist’s archives. Five centuries later, Tabassian re-imagines this bridge with the help of 16th- and 17th-century works from the manuscript archives of the national libraries of Istanbul and Florence.

Marco Beasley, a specialist in Renaissance music, joins forces with Constantinople to celebrate, in music, a bridge that Leonardo da Vinci designed in 1502. The longest and boldest bridge of the time, it was to span the Bosporus and thus link Europe and Asia. But it was never built; the plans, however, were preserved in the artist’s archives. Five centuries later, Tabassian re-imagines this bridge with the help of 16th- and 17th-century works from the manuscript archives of the national libraries of Istanbul and Florence.

The musicians of Constantinople, together with Ablaye Cissoko, a griot from Saint-Louis in Senegal, have been wowing audiences around the world since 2012. Traversées is the fruit of dialogue and exemplary collaboration between two artists. The concert features original compositions by both Cissoko and Tabassian, and revisits pieces from the old Mandinkan and Persian traditions. 

The musicians of Constantinople, together with Ablaye Cissoko, a griot from Saint-Louis in Senegal, have been wowing audiences around the world since 2012. Traversées is the fruit of dialogue and exemplary collaboration between two artists. The concert features original compositions by both Cissoko and Tabassian, and revisits pieces from the old Mandinkan and Persian traditions. 

The musicians of Constantinople, together with Ablaye Cissoko, a griot from Saint-Louis in Senegal, have been wowing audiences around the world since 2012. Traversées is the fruit of dialogue and exemplary collaboration between two artists. The concert features original compositions by both Cissoko and Tabassian, and revisits pieces from the old Mandinkan and Persian traditions. 

The musicians of Constantinople, together with Ablaye Cissoko, a griot from Saint-Louis in Senegal, have been wowing audiences around the world since 2012. Traversées is the fruit of dialogue and exemplary collaboration between two artists. The concert features original compositions by both Cissoko and Tabassian, and revisits pieces from the old Mandinkan and Persian traditions. 

The musicians of Constantinople, together with Ablaye Cissoko, a griot from Saint-Louis in Senegal, have been wowing audiences around the world since 2012. Traversées is the fruit of dialogue and exemplary collaboration between two artists. The concert features original compositions by both Cissoko and Tabassian, and revisits pieces from the old Mandinkan and Persian traditions. 

This concert revisits Andean and South American music through 17^th– and 18^th-century manuscripts, including Codice Trujillo and Codice Luz y Norte. Some popular oral traditions are added to the above sources to enrich the musical repertoire, in the image of these bright and colorful people.

This concert revisits Andean and South American music through 17^th– and 18^th-century manuscripts, including Codice Trujillo and Codice Luz y Norte. Some popular oral traditions are added to the above sources to enrich the musical repertoire, in the image of these bright and colorful people.

This concert revisits Andean and South American music through 17^th– and 18^th-century manuscripts, including Codice Trujillo and Codice Luz y Norte. Some popular oral traditions are added to the above sources to enrich the musical repertoire, in the image of these bright and colorful people.

This concert revisits Andean and South American music through 17^th– and 18^th-century manuscripts, including Codice Trujillo and Codice Luz y Norte. Some popular oral traditions are added to the above sources to enrich the musical repertoire, in the image of these bright and colorful people.