Constantinople

This meeting and dialogue between the kora and the setar seemed to come from the depths of the earth, as though these instruments, along with the viola da gamba and percussion, had always existed side by side.

This meeting and dialogue between the kora and the setar seemed to come from the depths of the earth, as though these instruments, along with the viola da gamba and percussion, had always existed side by side.

The estuary represents that astonishing space of transition and transformation where fresh water meets salt water, revealing unexpected potentials, much like the encounters imagined by Constantinople. The new collaborative Opus of kora master Ablaye Cissoko and the ambassador of Persian setar, Kiya Tabassian is the junction point where the rivers of their musical memories join the collective sea of the present moment. We witness a musicianship that bring them into a dialogue at the deep layers of musical conversations and creates for all a sense of wonder and awareness.

The estuary represents that astonishing space of transition and transformation where fresh water meets salt water, revealing unexpected potentials, much like the encounters imagined by Constantinople. The new collaborative Opus of kora master Ablaye Cissoko and the ambassador of Persian setar, Kiya Tabassian is the junction point where the rivers of their musical memories join the collective sea of the present moment. We witness a musicianship that bring them into a dialogue at the deep layers of musical conversations and creates for all a sense of wonder and awareness.

The estuary represents that astonishing space of transition and transformation where fresh water meets salt water, revealing unexpected potentials, much like the encounters imagined by Constantinople. The new collaborative Opus of kora master Ablaye Cissoko and the ambassador of Persian setar, Kiya Tabassian is the junction point where the rivers of their musical memories join the collective sea of the present moment. We witness a musicianship that bring them into a dialogue at the deep layers of musical conversations and creates for all a sense of wonder and awareness.

This meeting and dialogue between the kora and the setar seemed to come from the depths of the earth, as though these instruments, along with the viola da gamba and percussion, had always existed side by side.

The estuary represents that astonishing space of transition and transformation where fresh water meets salt water, revealing unexpected potentials, much like the encounters imagined by Constantinople. The new collaborative Opus of kora master Ablaye Cissoko and the ambassador of Persian setar, Kiya Tabassian is the junction point where the rivers of their musical memories join the collective sea of the present moment. We witness a musicianship that bring them into a dialogue at the deep layers of musical conversations and creates for all a sense of wonder and awareness.

This meeting and dialogue between the kora and the setar seemed to come from the depths of the earth, as though these instruments, along with the viola da gamba and percussion, had always existed side by side.

This meeting and dialogue between the kora and the setar seemed to come from the depths of the earth, as though these instruments, along with the viola da gamba and percussion, had always existed side by side.

This meeting and dialogue between the kora and the setar seemed to come from the depths of the earth, as though these instruments, along with the viola da gamba and percussion, had always existed side by side.